Apollo 13 Essay Example for Free

Apollo 13 Essay For those not mature enough to have survived it, an account of going for an arrival on the moon, enduring a blast on the shuttle while in transit to the moon, not arriving on the moon, and afterward barely making it home to Earth is the narrative of Apollo 13. When confronting issues, clashes, and the accomplishment of objectives, having the assets of a completely useful director and group are basic. A supervisor that has clear objectives and procedures set up is bound to succeed in any event, when confronted with the best kinds of affliction. Each representative of NASA should think about the sad occasion of Apollo 13. The foundation of the group started with the culmination between the U. S. furthermore, Russia and their space investigation programs. What began as a standard excursion to the moon and back before long got probably the greatest emergency NASA had ever experienced. From understanding the predicament of the shuttle, to recognizing what should have been done, to making a CO2 converter out of materials just accessible on the rocket, the flight is an unmistakable exercise on the most proficient method to deal with a group in an emergency. In numerous undertakings, it generally returns to a distressing circumstance, where snappy choices must be made which majorly affect the accomplishment of the job that needs to be done. Numerous directors frequently request counsel on the best way to deal with such circumstances so as to be a decent pioneer and accomplish most extreme outcomes. So as to be a powerful chief and to have the option to impact other and practice high degrees of control, a few principles ought to be followed. I will give a couple of instances of how Gene Kranz figured out how to elevate collaboration and to accomplish the most ideal arrangements notwithstanding extraordinary issues, need or assets and time pressure. One must stay hopeful and put stock in themselves and the group to accomplish a set objective. Without individual feelings directors won't have the option to rouse the group to grew new arrangements, proceed to working and cultivate joint effort. Quality showed principled administration and an authority in requesting the best from his group while regarding their endeavors regardless of the result. One extraordinary thing about Gene’s the board was that is set a standard of greatness. With proclamations like â€Å"I don’t care about what anything was intended to do, I care about what it can do. This set moving self-administration by different supporting groups. This shows us significant exercises that we can apply to different situations. Make a point to unmistakably recognize jobs and obligations of every single colleague. Correspondence is additionally a key in dealing with a group adequately. In the film one of the colleagues unplugs his TV and takes his telephone fr ee which cost everybody esteem time and contribution to settling this emergency. Directors should ensure they can connect with representatives. Make an approach on the off chance that you should. An over tyrant style of the executives with a top down chief is some of the time unseemly. Supervisors frequently give directions, undertakings and fiat without approaching the representative for their feeling. Conversely chiefs with an agreeable law based style of the board include workers in dynamic. Choices are taken after itemized conversation in working gatherings. Data ought to be sent generally through all correspondence channels. Quality Kranz was drawing at the board and tuned in to his group and their proposals. What's more, they all talked about the recommendations together. Without this equitable administration style of Gene Kranz, the group would not have been as effective. Another issue is to work the issue effectively. Characterizing the issue is the hardest piece of critical thinking. As a supervisor it is essential to characterize and convey the issues which must be fathomed. Something else, no group will have the option to discover appropriate arrangements. Quality Kranz recognized all the issues and framed unique groups to address them. He made it understood to the groups which articles could be utilized. Just the articles that were accessible to the space travelers could be utilized. He burned through no time in whining about what items were not accessible or missing to take care of the issue. He was activity situated and underscored critical thinking. It is likewise essential to be a noticeable supervisor or pioneer. A decent chief shoulders duty and passes on to all colleagues that they will work through the issue. Another quality of a successful director is regard for other people. Time and again in today’s professional workplace, we don’t regard the judgment of those really accomplishing the work. Also, an emergency isn't a period for allegations. The essential target ought to be to deal with the circumstance together and make its best. Quality Kranz didn't ask whenever after the blast, how such a blast could have occurred. Neither the space explorers nor Mission Control would have profited by the conversation of blame, imaginative critical thinking was considerably more significant. Despite all the negative talk, Gene revealed to them disappointment was impossible, and they didn't fall flat. Building trust must be joined with compelling correspondence. Its advantage was clear in the film through the deterrents the group survived. As a group becomes together through solid administration, their degree of trust to accomplish an aggregate objective, distinction turns out to be less significant and the team’s objective is put in the cutting edge. Activity direction turns out to be natural, and input is transparent. Joined, these improve the general achievement and usefulness of the supervisor, worker relationship. At last, no one needs to encounter emergency, for example, the one in Apollo 13, anyway there will consistently be flighty issues and directors should challenge the circumstances. A viable supervisor should put themselves in Gene Kranz’s place for disguising his method of driving a group. Moreover, troublesome circumstances that occur in the past ought to be investigated for creating recommendations for chiefs to figure out acceptable behavior in planned circumstances. Each emergency is one of a kind and requests an individual arrangement yet for figuring out how to locate the best arrangement, act directly as a supervisor and spur your group. Being fruitful and taking care of issues in an imaginative manner is simply however one part of being a viable director and pioneer for your group.

Consciousness mind Essay Example for Free

Awareness mind Essay The Psyche, is a climax of how we decipher the world, all our mental nature. It’s not about the goal; it’s about the excursion. The minds are various ways to information yet have a similar consummation, individual thoughts, encounters, feelings, just as the aggregate oblivious. Cognizant is the main part to the psyche that is known straightforwardly by the individual, thinking, feeling, detecting, and intuiting. This is the way we develop our awareness; the mentalities of extroversion and contemplation decide how we arrange our cognizant brain. Individuation, or realizing oneself as totally as conceivable is the manner by which we deliver and build up our sense of self. The Ego goes about as the guardian, it figures out what observations considerations feeling and recollections will enter awareness. Its what we select to make cognizant. The authoritative of how we work. The individual oblivious is the possibility of data that we document in our psyche. Its there, yet we’re not concentrating on it right now; it’s underneath the surface, the storage facility of curbed clairvoyant material Complexes lie in our own oblivious. They are gatherings of substance that bunch together to shape a group or heavenly body. They are independent little characters inside the all out character. They are self-governing, having their own main impetus, and can be incredible in controlling our considerations and practices. The aggregate oblivious is the part of the mind, which can be separated from the individual oblivious by the way that its reality isn't needy upon individual experience, made out of substance that were once cognizant, however the substance of the aggregate oblivious have never been cognizant inside the existence time of the person. Ex: Mans dread of snakes or the dim. Doesn't get familiar with these feelings of trepidation through encounters with snakes or the dull, albeit such encounters may strengthen or reaffirm his inclinations. We acquire inclinations to fear snakes and the dim on the grounds that our crude progenitors encountered these feelings of dread for incalculable ages. They become engraved upon the cerebrum. Prime examples lie in the aggregate oblivious, models of our heritage, it is the unending redundancy that has engraved these encounters into our mystic constitution, not in the types of pictures loaded up with content, yet from the outset just as structures without content, speaking to simply the chance of a particular sort of discernment and activity. They are all inclusive; everybody acquires a similar fundamental prototype pictures. The persona, to take a trademark that isn’t your own. The persona is the veil or veneer one displays openly, with the aim of introducing a positive impression so society will acknowledge him. It is fundamental for endurance, it empowers us to coexist with individuals, even those we despise, in a neighborly way. The anima/hostility is the â€Å"outward face† of the mind since it is that face which the world sees. The â€Å"inward face† he called the anima in guys and ill will in females. The anima paradigm is the ladylike side of the male mind; the enmity model is the manly side of the female mind. Everybody has characteristics of the other gender. The shadow, is basic and bestial, it lives in the oblivious. It is anticipated on the other gender and is answerable for the nature of the connections between the genders. It is diligent and doesn't yield effectively to concealment. Ex: rancher to writer, covering being an artist, yet an even may trigger that craving. The greater the character the greater the shadow. Oneself is the sorting out guideline of the character. It is the focal prime example in the aggregate oblivious. It orchestrates all the models and their indications in edifices and awareness. It joins the character, giving it a feeling of unity and immovability. The mind: a moderately shut framework must be managed as a unitary framework inside itself, aside from some other vitality framework. It is gotten from the things we contact, see, smell, taste, feel, or hear. These are the nonstop wellspring of incitement by which the mind is taken care of. The mystic vitality is the vitality by which crafted by the character is performed. Additionally called the charisma, the characteristic condition of craving, showed deliberately as endeavoring wanting, and willing. Its communicates through seeing, recollecting, thinking, feeling, wishing, willing, joining in, and endeavoring. It starts from the encounters that an individual has. Clairvoyant qualities, a worth is a proportion of the measure of vitality that is focused on a specific mystic component. While putting a high incentive on a thought or feeling it can apply an impressive power in affecting one’s conduct. For example, one who puts a high incentive on magnificence will advance a lot of vitality to encircle oneself with wonderful things. This helped me to remember my sister in law, whom is fixated on excellent and over the top expensive things throughout everyday life. She gives her time and hard earned cash to the material things throughout everyday life. One may state she’s attempting to stay aware of the Jones’. She would state she like wonderful and costly things. Direct perception and derivation, is an unpredictable that doesn't generally display its qualities in cognizant conduct. Ex: The individual who says, â€Å"I can’t stand gossips† might be the person who talks most. Complex pointers are any unsettling influence of conduct might be demonstrative of a complex. Ex: when a man calls his significant other by his mother’s name, it proposes that his mom complex has acclimatized his better half to it. The subdued memory is accepted which has some association with an oblivious complex so the memory is gobbled up by it. Passionate Reactions, is the fundamental complex. Instinct is the normal and unconstrained limit each man needs to see the scarcest passionate vacillation in others. The Principle of Equivalence if the measure of vitality cosigned to a given mystic component diminishes or vanishes, that measure of vitality is lost from the mind; it is essentially moved starting with one position then onto the next. The rule of Entropy is the course where vitality streams is conceptualized in material science continuously law of thermodynamics. This standard states, basically, that when two collections of various temperatures are put in contact, warmth will go from the more sweltering to the colder body until the temp of the two bodies is leveled. Movement and relapse, Progression is characterized as a people day by day encounters, which advance his mental adjustment. Ones movement is a ceaseless procedure since his condition and encounters change persistently, which then adjustment is rarely totally accomplished. Relapse is the regressive development of charisma. Through the crash and communications of the contrary energies, they consistently become denied of their vitality. It takes away vitality from clairvoyant components while movement adds vitality to mystic components. Individuation Jung comprehended individuation to be something that started in the second 50% of life, when people arrive at the peak of their lives and unexpectedly end up confronting an obscure vista or some unanticipated change. Some of the time this defining moment appears as an emergency, for example, a monetary disappointment, a medical issue, a wrecked relationship, or a difference in habitation or calling something which agitates business as usual. Now and then this experience accept the type of a significant self-question, lost importance or strict conviction, a scrutinizing of everything recently held so dear. Now and again it introduces itself as a profound longing or a call to alter course. Basically, one could state that the oblivious, or all the more explicitly, the Self (with a capital S), the focal sorting out paradigm in the human mind, which has apparently concealed the best proportion of its impact while the sense of self has been caught up with building a life for itself, abruptly the Self returns full power to guarantee a critical state, if not a focal spot, in the general plan of things. Furthermore, for what reason? To call an individual to turn into a mental ‘in-dividual,’ a different, unbreakable solidarity or entirety. Those individual viewpoints, which have up to this time been dismissed be they interests, abilities, attributes, encounters, or issues currently approach to be recognized. That which was divided presently makes progress toward solidarity. That which was broken presently longs for completeness. That which was ignored presently looks for articulation. That which was beforehand undefined in nature out of nowhere starts to take another shape, unusually with regards to what feels like a one of a kind and profoundly instilled individual designing. The focal point of the character moves from the sense of self toward the Self, trying to set up another focal point of the mind somewhere close to the two. There is something in the human mind, which in its own totality of time, battles to create the genuine character. The individuation is a self-ruling, inherent procedure, which implies that it doesn't require outside incitement so as to appear. The character of an individuation is bound to individuate similarly as without a doubt as the body is bound to develop. Be that as it may, similarly as the body needs appropriate food and exercise for sound development, so the character needs legitimate encounters and training for solid individuation. For instance in the beginning times of adolescence, of outset characters of the kid are an impression of the parent’s characters, implying that the youngster doesn't convey his own personality. In any case, when the youngster isolates himself from the guardians, as in he begins going to class. He will at that point begin molding his own character in one of a kind ways separated from the guardians. Three realities about Carl Jung. Jung was a thoughtful youngster and discovered satisfaction in being tranquil and being distant from everyone else. At the point when he was a kid he played without anyone else, since his sister was not conceived until he was nine. He went through hours in

Apply NowNovember 1 is quickly approaching!

Apply Nowâ€"November 1 is quickly approaching! Can you believe that we are only 2 weeks away from November 1?! We know this is a very busy time, and I hope you have been taking time to enjoy your senior year (and continue to do well in your classes) thus far! This is a reminder that November 1 is our Early Action application deadline.If you have not yet already started your application, I strongly encourage you to set aside some time and start to do so now! We encourage all students to apply before our Early Action deadline of November 1 in order to give yourself priority consideration for competitive academic programs, merit-based scholarships, and honors programs. (We use your application for admission to consider you for those three things). Another benefitâ€"you will receive an updated admissions status on December 14! That allows plenty of time to visit campus if you can, ask more questions about the Illinois experience, and make the most informed college decision possible by May 1. In order to have a complete application by November 1, we really only need two things from you: Your online application submitted either through Coalition or myIllini. This application will include your self-reported academic record, self-reported ACT and/or SAT test scores, 1st and 2nd choice major selections, essay(s), extracurriculars, etc. You can read more the application here. An application fee ($50 for domestic students, $75 for international students) or an application fee waiver form submitted by a high school official. As a reminder, we do not accept letters of recommendation, SAT Subject Test scores, AP scores, resumes, etc. in our admissions review process. So now that you know all the benefits of applying Early Action, go ahead and submit your application now! If you have any questions, please call or email our office â€" 217-333-0302 or admissions@illinois.edu. We are always happy to help you through this process! Katie Admissions Counselor I coordinate our New Student Registration programming and telecounseling efforts. I grew up in Homer Glen, a southwest suburb of Chicago. I earned my bachelor's degree in Psychology from Bradley University and my master’s degree in Higher Education and Educational Administration from Southern Illinois University Carbondale.

The Impact Of Climate Change On Rising Sea Levels

Research Paper The Impact of Climate Change on Rising Sea Levels Over the past century, changes in the climate have affected our sea levels. From global warming to man made causes, these factors contribute into one of the most predictable catastrophic disasters. While rising sea levels can lead to a flooding disaster, there are other consequences that are impacted due to this component that can affect the whole planet. Changes in the climate have been an on going critical issue that has been affecting the present time and near future. One of the causes that has contributed to climate change and rising sea levels is global warming. Global warming, the gradual heating of Earth s surface, oceans and atmosphere (Bradford) has caused warmer temperatures, leading to a growth in earths average temperature. Earth s average temperature has risen by 1.4 degrees Fahrenheit, over the past century, according to the Environmental Protection Agency (EPA) (Bradford). Many might say that 1.4 degrees is quite a small number, but the issue here isn’t with the number of degrees is going up but rather with the extra energy the earth is having to do it is causing those drastic changes in our weather. As this continues to occur, not only is our atmosphere getting warmer but by doing so, so is our water. And since our oceans water help absorb most of the excess heat our atmosphere creates, when it absorbs too much heat (making the water warmer) it affects the lives of the animalsShow MoreRelatedThe Alarming and Troublesome Global Warming Issue 1407 Words   |  6 Pages Global warming has been one of the most challenging problems our society has encountered and people dont acknowledge that our climate change is becoming worse as the time goes by. Climate change which is said to be the regular or ordinary weather in an environment consists of patterns like seasons and temperature. Climate patterns play such an important role in constructing an essential ecosystem, human economies and cultures that rely on them has raised the surface of the worlds oceans in recentRead MoreClimate Change and Global Warming1074 Words   |  5 PagesClimate change and Global Warming are out of control . This means that, no matter what policies, processes or actions are implemented, the Earth as we know it will never be the same again. There is significant evidence to support this hypothesis. The dilemma becomes whether we can limit the damage and adapt to a new status quo or not. Rising sea levels and the damage caused by this phenomenon has irreversible impacts on coastlines worldwide. Damage to sensitive reef systems cannot be fixed. This alsoRead MoreThe Effects Of Global Warming On Humans Essay1570 Words   |  7 Pagesyears and it is having a huge impact on earth. It is being cause by the greenhouse gases that are now in the atmosphere. The greenhouse gases cause the planets surface to reach a really high temperature and this is when we are able to experience the effects of global warming. Some places have been more affected than others, the places that have had a really big impact have been the coasts. This is because the as global warming increases so do the rising of sea levels. Considering that a large amountRead MoreClimate Change : Sea Levels1294 Words   |  6 PagesSea-level rise is one of the most significant effects of climate change. As global temperatures rise, ice in the polar-regions will continue to melt, dumping tons of additional water into the ocean. Warmer water temperatures will also lead the oceans to expand high projected rates of future sea-level rise. â€Å"These factors will cause sea levels to increase and swamp coastal areas all over the world† (Oceans and Sea Level Rise). Particularly, countries which are located in low-lying areas as well asRead MoreGlobal Warming And Climate Change1136 Words   |  5 Pagescontrol global warming and climate changes, human activities that create changes is increasing day by day. A change or rise is the average temperature on the surface of the earth is called climate change or global warming. Agriculture has always been extremely depended on climate variations; reason, the crop gr owth is fair temperature, solar radiations, and precipitation. Typically the period after the industrial revolution, humans has been changing the worldwide climate. The burning of the fossilRead MoreThe Effects of Rising Sea Levels Essay966 Words   |  4 PagesThe Effects of Rising Sea Levels Introduction: Over the last several decades, climate change has evolved from a polarizing discussion to what will likely be the largest collaborative research project of our generation. While many aspects of climate change are still misunderstood, there is little debate that the concentration of carbon dioxide in the atmosphere is rising at an alarming rate. This rise is considered the main cause behind an increase in global temperature, which has set in motionRead MoreGlobal Warming : Climate Change1592 Words   |  7 PagesEarths climate. Nowadays, Global Warming is a hot topic and one of the critical environmental issues facing the world. Intergovernmental Panel on Climate Change (IPCC) definition for climate change is: â€Å"Climate change in IPCC usage refers to a change in the state of the climate that can be identified (e.g. using statistical tests) by changes in the mean and/or the variability of its properties, and that persists for an extended period, typically decades or longer. It refers to any change in climateRead MoreGlobal Climate Change : The Global Warming1472 Words   |  6 PagesThe Global Climate Change Currently when human life is growing, human activities impact on the environment and climate to lead to global climate change. Climate change is a problem of the whole world, and that is the big challenge for human kind. So what is climate change? Evolution of how it? Climate change is the change of weather, climate, may be due to human or natural causes. The specific expression that we often hear about is the phenomenon does not stop warming the earth, the greenhouse effectRead MoreThe Effects Of Climate Change On The Environment1188 Words   |  5 PagesDue to recent climate change the environment has been impacted in many ways. Climate Change is a change in global or regional climate patterns attributed largely to the increased levels of atmospheric carbon dioxide produced by the use of fossil fuels (Oxford Dictionary). Scientists have studied the impacts it s having on the environment such as temperature rising, sea level rising, and increase in natural disasters. Climate change has only affected us in the 20 years due to the increase in factoriesRead MoreWhat Are The Risks Of Climate Change And Global Warming?1518 Words   |  7 Pagesrisks of climate change and global warming? Climate change has been a pertinent issue in the media as of the past decade. With much debate on its severity, some simply believe that it is the result of alternating weather patterns. Meanwhile, the Intergovernmental Panel on Climate Change claims that global warming â€Å"has been driven by human activity,† continuing on to say that its existence is â€Å"unequivocal† (sciencemag). As most scientific research suggests, it is evident that climate change is negatively

Differences Between Probability and Statistics

Probability and statistics are two closely related mathematical subjects. Both use much of the same terminology and there are many points of contact between the two. It is very common to see no distinction between probability concepts and statistical concepts. Many times material from both of these subjects gets lumped under the heading â€Å"probability and statistics,† with no attempt to separate what topics are from which discipline. Despite these practices and the common ground of the subjects, they are distinct. What is the difference between probability and statistics? What Is Known The main difference between probability and statistics has to do with knowledge. By this, we refer to what are the known facts when we approach a problem. Inherent in both probability and statistics is a population, consisting of every individual we are interested in studying, and a sample, consisting of the individuals that are selected from the population. A problem in probability would start with us knowing everything about the composition of a population, and then would ask, â€Å"What is the likelihood that a selection, or sample, from the population, has certain characteristics?† Example We can see the difference between probability and statistics by thinking about a drawer of socks. Perhaps we have a drawer with 100 socks. Depending upon our knowledge of the socks, we could have either a statistics problem or a probability problem. If we know that there are 30 red socks, 20 blue socks, and 50 black socks, then we can use probability to answer questions about the makeup of a random sample of these socks. Questions of this type would be: â€Å"What is the probability that we draw two blue socks and two red socks from the drawer?†Ã¢â‚¬Å"What is the probability that we pull out 3 socks and have a matching pair?†Ã¢â‚¬ What is the probability that we draw five socks, with replacement, and they are all black?† If instead, we have no knowledge about the types of socks in the drawer, then we enter into the realm of statistics. Statistics help us to infer properties about the population on the basis of a random sample. Questions that are statistical in nature would be: A random sampling of ten socks from the drawer produced one blue sock, four red socks, and five black socks. What is the total proportion of black, blue and red socks in the drawer?We randomly sample ten socks from the drawer, write down the number of black socks, and then return the socks to the drawer. This process is done five times. The mean number of socks is for each of these trials is 7. What is the true number of black socks in the drawer? Commonality Of course, probability and statistics do have much in common. This is because statistics are built upon the foundation of probability. Although we typically do not have complete information about a population, we can use theorems and results from probability to arrive at statistical results. These results inform us about the population. Underlying all of this is the assumption that we are dealing with random processes. This is why we stressed that the sampling procedure we used with the sock drawer was random. If we do not have a random sample, then we are no longer building upon assumptions that are present in probability. Probability and statistics are closely linked, but there are differences. If you need to know what methods are appropriate, just ask yourself what it is that you know.

Thorn Queen Chapter Six Free Essays

string(29) " felt magic move through me\." Kiyo always healed quickly, and when we got home that night, he was in fine condition to see who could put on the highest-quality performance in bed. Consequently, he woke in a very cheerful mood the next day, though he still couldn’t help a little grumbling about following along yet again. I knew it was all gruffness, though. We will write a custom essay sample on Thorn Queen Chapter Six or any similar topic only for you Order Now He liked knowing I was safe, and that warmed something up inside of me. â€Å"You tricked me,† he remarked once we’d crossed over to the Otherworld that morning. I was hoping these bandits would be as easy to dispatch as the kobolds, unnatural hybrids of small animals aside. â€Å"After that thing you did in bed†¦Ã¢â‚¬  He sighed happily at the memory of a particularly skillful feat my mouth had performed last night. â€Å"Well, you know I’d agree to do anything now.† â€Å"Come on,† I said, still feeling a bit proud. â€Å"It has nothing to do with that. Don’t you want to see justice served to those who dare torment my subjects?† â€Å"Careful there. People might think you’re acting like a real queen.† I glanced down at my torn jeans and Poison T-shirt. â€Å"Well, let’s not get carried away. Maybe it’d help if I got a crown like Dorian said.† To my astonishment, Kiyo’s teasing expression immediately hardened. â€Å"No. That’s the last thing you should do.† I stared in surprise. â€Å"Why not? Too Miss America?† â€Å"It’ll make you seem more†¦official.† I gestured around at the tapestry-draped castle room we’d appeared in. â€Å"We’re in a fucking castle, Kiyo. I don’t really see how it can get any more official.† â€Å"You don’t understand. I mean, you’re a queen, yeah, and they all know it†¦but a lot just see you as this warrior stand-in. Like a regent. Get a crown†¦start appearing before lots of people in it, and I don’t know. It makes you legitimate. It makes it real. It’ll be harder for you to get out of this than it already is.† I thought about how often I’d wished I hadn’t been saddled with this land and how often I’d tried to avoid it-yet still kept coming back. â€Å"I don’t think it can get any harder.† We found Shaya before heading out on our raid. I’d brought some things that I hoped would help with the Thorn Land’s drought and famine. When I gave the first one to her, she could only stare in silence for several moments. â€Å"Your majesty†¦what is this?† â€Å"It’s a children’s place mat I got from Joe’s Tex-Mex restaurant.† Along with Joe’s kid’s menu, the place mat also depicted a map of Arizona that kids could color while waiting for their food. I pointed to the assorted symbols on the map. â€Å"See, this shows Arizona’s natural resources. The stuff that grows and can be found there. Cotton. Copper.† â€Å"What’s this?† she asked, pointing to something that resembled a glass of liquid. I frowned. It certainly wasn’t water, that was for damned sure. â€Å"I think it’s some kind of citrus product. Orange. Grapefruit.† I shrugged. â€Å"I think you can grow either in this weather. And that’s the point. This land mirrors Tucson, so all the things there should be the same here. There should be copper deposits that you guys can find. That’s valuable in trade, right?† Copper was one of the few metals gentry could handle. Iron was right out, being the harbinger of technology. That’s what made it one of my most lethal weapons. â€Å"And the rest should grow here, if you can find seeds. Someone must have them somewhere, even in this world.† â€Å"They still need water,† she pointed out. â€Å"Right. That’s what this is for.† I handed her my next prize: a book. â€Å"It’s a history of the engineering of wells and aqueducts from ancient and medieval Europe. It should help in moving water around.† She still looked stunned, so I tried to think of something comforting. â€Å"I’ll help find more water sources too.† I then handed her another book about Southwest architecture, adobe and stucco homes. She took the books and flipped through them, taking in the dense chapters and diagrams. â€Å"I don’t think I’m the right person to do this. I don’t have the mind for it.† â€Å"Maybe not. But I’m sure you can delegate to someone who can.† I patted her encouragingly on the arm. The truth was, I was as baffled by the book as she was. I could put together jigsaw puzzles in record time. Reading engineering diagrams? Not so much. â€Å"Just be careful with them-those are library books.† I had to go then and felt a little bad about leaving her. Yet, despite her confusion now, I knew she would find people and ways to implement this. She was just that competent. Maybe I should have had more of a hand in this, but hey, I’d been the one who had to choke down Joe’s crap Tex-Mex food in order to score the place mat. That had to count for something. If I’d had my way, I would have just taken Kiyo and gone out to hunt down these bandits ourselves. I had to imagine they were just riffraff and not much of an obstacle to us. Kiyo was a pretty fierce fighter, as last night had shown, and between my weapons and magic, I was his equal. Rurik had protested this plan, however, insisting that he and almost two dozen guards come along. I didn’t think this gave us much in the way of stealth, but he’d told me we’d dismount and go on foot once we reached the passes the bandits lived in. Before we left, I decided we might as well add one more person to our entourage. I stepped into a darkened corner, far from the light of candles in the room, and took out my wand. Immediately, the guards moved away from me. They knew what I was going to do and didn’t like it. When something magical made gentry uneasy, you knew it was bad. I spoke the words of summoning and felt magic move through me. You read "Thorn Queen Chapter Six" in category "Essay examples" It wasn’t the storm magic I’d inherited, the pull to water and air. This was a learned human magic, a way of reaching out to the worlds beyond. The temperature in the room dropped, a sudden shock compared to the dry heat we’d just been in. Then, the cold lifted, and Volusian stood before me. Volusian was my minion, for lack of a better word. He was a damned soul, cursed to wander without rest for all eternity after committing atrocious acts in life. I’d fought and bound him to me, forcing him to serve me. Volusian wasn’t very happy about this and frequently liked to remind me of how he would destroy me if he ever broke free of my control. After hearing stuff like that over and over, it almost took on a familiar feel, kind of like how a pop song heard often enough will work its way into your heart. While Otherworldly spirits often had insubstantial forms in the human world, the shape Volusian had now looked exactly the same as it would if I summoned him back home: a short, imp-like creature with black skin, pointed ears, and red eyes. â€Å"My mistress calls,† he said in a flat voice. â€Å"And I answer. Regretfully.† â€Å"Oh, Volusian,† I said cheerfully. â€Å"Always a joy to have you around. You’re such a ray of sunshine on a dreary day.† Volusian merely stared. I turned to the others, hoping I sounded queenly and authoritative. â€Å"Alright. Let’s go kick some outlaws out of town.† I still wasn’t used to having an entourage of guards. So much of my life had been solitary, so much of it spent fighting on my own†¦well, I didn’t really know what to do with so many people at my back. As we headed toward our destination, I found it was a lot easier to deal with the guards if I just focused on Kiyo and pretended we were alone. â€Å"I can’t believe you gave Shaya a place mat and now expect her to revolutionize this place’s total infrastructure,† he noted. â€Å"What else am I supposed to do?† I asked. â€Å"You were just complaining about me getting too involved in this place. Handing off a place mat is about as uninvolved as I can get-unless you’re saying I should take a more active role now?† â€Å"No,† he answered swiftly, face darkening a little. â€Å"Believe me, if there were an easy way for you to give up this place, I’d make you do it.† I cut him a glance. â€Å"You’d make me, huh?† â€Å"Encourage,† he amended. â€Å"Unfortunately, it’s a moot point. The only way to lose a kingdom is if your power drops or†¦well, if you’re killed.† â€Å"I’m sure Volusian would love to help with that.† My minion walked near me, needing no horse to move swiftly. Upon hearing his name, he said, â€Å"I would perform the deed with great relish and much suffering on your part, mistress.† â€Å"You can’t put a price on that kind of loyalty,† I told Kiyo solemnly. â€Å"No crown even required.† Kiyo grunted noncommittally. There was a lot of tension between him and Dorian, but the one thing they both agreed on was that Volusian was trouble. Both had encouraged me to get rid of him. I didn’t have the power to completely banish him to the Underworld, but it probably could be managed with another magic user. Still, dangerous or no, I continued to retain the spirit’s services. â€Å"Are you going to stick around when we’re done here?† I asked. That was my subtle way of asking if Kiyo was going to see Maiwenn. His dark eyes were on the road ahead, thoughtful. â€Å"No. I was hoping to go back to Tucson and see if I could get this hot chick I know to go out with me. I hear she’s in demand, though. She keeps putting me off each time I try to plan something romantic.† â€Å"Yeah, well, maybe if you come up with a good itinerary, you could lure her out.† â€Å"I was thinking dinner at Joe’s.† I made a face. â€Å"If that’s the case, maybe you’d better brace yourself for rejection.† â€Å"Red Pepper Bistro?† â€Å"Okay. Now you’re in the zone.† â€Å"Followed by a long massage in the sauna.† â€Å"That’s pretty good too.† â€Å"And then indecent things in the sauna.† â€Å"I hope you mean you’ll be doing the indecent things-because I more than did my share last night.† Kiyo glanced over at me with a mischievous grin. â€Å"Who says I’m talking about you?† I would have swatted him if he’d been in reach. Instead, I grinned back, my mood happy and light. Bantering with him like this was just like the old days, back before Maiwenn and this baby business was an issue. I felt like his girlfriend again. And despite just having had sex last night, I couldn’t deny the truth. Thinking about having sex with him in the sauna was doing uncomfortable-pleasantly uncomfortable-things to my body, particularly with my legs spread like they were. Our gazes met, and I felt an answering heat in his eyes. I remembered how fierce he’d been while throwing himself in front of me last night and could perfectly envision that same fierceness translated into passion in bed. The lines and muscles of his body suddenly seemed that much stronger, and I could imagine his hands all over me†¦. Rurik trotted up beside me and interrupted my pornographic thoughts. â€Å"We need to go on foot now. We’re getting close.† We stopped on the edge of a â€Å"forest† comprised of saguaro cactuses and scraggly trees. They spread on ahead of us, up toward some sharp rises in the land that turned into sandy red cliffs studded with rocks. While tethering the horses, Kiyo decided he’d go ahead and scout in fox form. â€Å"If you can’t change back, that’s going to seriously interfere with our date,† I told him. He ran a hand along my bare arm, making every part of me tingle. â€Å"Nah, nothing’s interfering with that. I’ll go in small fox form-they’ll never see me.† He slowly shape-shifted, his large, muscled frame growing smaller, then elongating into a red fox about as big as a medium-sized dog. He brushed against my leg and then disappeared into the vegetation ahead. I watched him go. Some part of me would always worry about those I loved, but overall, I had confidence in Kiyo when it came to dangerous situations. The rest of us milled about in the midday heat, passing water around. About twenty minutes later, Kiyo returned. With each approaching step, he transformed from a cuddly furry critter into the man I loved. Not that I didn’t love him as a fox too. â€Å"They’re over there, just like we thought,† Kiyo said. There was kind of a lope as he walked, a leftover from the fox form. It was both cute and sexy at the same time. â€Å"Looks like they’re camped out and resting for the day.† â€Å"Any lookouts?† asked Rurik. Kiyo grinned. â€Å"Not anymore.† I rolled my eyes. â€Å"Did you see any girls?† His smile faded. â€Å"No. Just the bandits. They’ve got a few less people than we do.† â€Å"Well, that’s good,† I said, frowning. No girls. What did that mean? Had the couple in the village been wrong? Maybe their daughter really had run off with her boyfriend. Still, if this group was harassing people, getting rid of them would certainly be a good deed. Kiyo and Rurik plotted strategy on how to sneak up on the camp, and our group set off, planning to fan out around the brigands. With no lookouts, the gang had no one to warn them of our approach and seemed totally unaware when we got our first glimpse of them. They were mostly men, with a few women. The women clearly weren’t captured girls, though. They were older and hardened from harsh living. The whole group looked like it had seen hard times, actually. There was a toughness about them that suggested they’d fight tooth and nail. Based on an earlier discussion, I’d thought our whole group would just swoop down at once. Instead, one of my guards suddenly stepped out and shouted, â€Å"Surrender in the name of the queen!† Oh God, I thought. He did not just say that. There was no time to ponder it further as my party charged forward. â€Å"Remember,† I hissed to Volusian. â€Å"Subdue. Don’t kill.† He didn’t look happy about this. Of course, he never looked happy. The rest of my guards had orders to avoid killing if they could but not to hesitate if it was their life or a bandit’s. I wanted prisoners we could question later and didn’t really like the idea of furthering my tyrannical image if I could help it. As I’d expected, the bandits fought back. No surrender here. They had conventional gentry weapons, as well as some weak fighting magic. It became clear early on that taking prisoners was a little harder than killing. Killing was fast. Taking someone down and tying them up was a little more complicated. It exposed you to attacks from others. Nonetheless, I saw my guards handily bind two of the bandits right away. A couple other bandits got killed shortly thereafter, but they’d had knives at my men’s throats and left us no alternative. Kiyo and I were working together to tie a flailing man up when I suddenly felt a surge of magic in the air. I stopped what I was doing. It wasn’t gentry magic. In fact, none of the others noticed it right away. As a shaman, I’d developed a sensitivity to creatures and powers from the different worlds. This power made my skin prickle and had a slimy, oily feel to it. It wasn’t from the human world or even the Otherworld. There were Underworld creatures here. â€Å"Demons,† I said, just as they materialized within the camp. â€Å"There are fucking demons here.† How to cite Thorn Queen Chapter Six, Essay examples

How does Shakespeare present the themes of love and hate in Act 1 (focusing on Scene Five) of Romeo and Juliet Essay Example For Students

How does Shakespeare present the themes of love and hate in Act 1 (focusing on Scene Five) of Romeo and Juliet? Essay The presentations of both love and hate reach their first climaxes in Act 1, in the meeting of Romeo and Juliet, and in the hatred that Romeo stirs in Tybalt during that meeting. The characters playing major roles in this scene, Romeo, Juliet and Tybalt, are each seen to experience both ends of the emotional spectrum, and the way Shakespeare orders events highlights this contrast, and also helps build dramatic irony. Shakespeares presentation of love and hate is defined in the Prologue, where the Chorus recites a sonnet that informs the audience of the conclusion of the entire drama, where A pair of star-crossd lovers take their life. It is here that Shakespeare destroys the notion of free will inside his play, and the underlying theme of fate in association with love and hate is announced. Also, with the audience forewarned of the outcome, all that takes place is seen in a new light, as now the audience care less about what happens, but how. Romeo and Juliets sonnet later in the play contains echoes of the opening one, further enhancing the idea that we are watching two people being carried inexorably toward their destiny, an image that epitomises the whole tragedy. A different type of love is seen prior to Scene Five. It is the more orthodox Petrarchan love, and Romeo seems to be trapped in the role of stereotypical lover, talking in clichà ¯Ã‚ ¿Ã‚ ½s and inert metaphors, and it seems that Romeo is almost in love with the idea of being in love rather than with the elusive Rosaline. This is a world away from the love later shared by Romeo and Juliet, which is a far more equal and tender love; and the contrast serves to make the play much more effective. The wait before scene five is also used to establish the personality of Juliet; her meekness toward her parents is made evident, as well as her relationship with the Nurse, in Scene Three of Act 1. Juliets impending marriage to Paris is also introduced, and by examining the way it is discussed, we can deduce a lot about the attitudes toward love and marriage held by Juliet, Lady Capulet and the Nurse, and perhaps even Elizabethans in general. Juliet calls the marriage an honour before even meeting her prospective husband, showing that love was not considered important for marriage, and also giving her eventual (informal) elopement an element of self-sacrifice. The Nurse says Women grow by men, compounding this idea, and adding that increased status was more an incentive for marriage than love, which shows that Juliets affair with Romeo would have been considered atypical and rather risquà ¯Ã‚ ¿Ã‚ ½ by an Elizabethan audience. Today however, Juliets actions would have been thought of as a liberation from the constraints of society, and therefore applauded. Scene Five opens with dialogue between two servants rushing busily around the stage, a sequence thats purpose is to break the static atmosphere left by the previous scene; dissipate the fraught passion left in the wake of Mercutios Queen Mab speech; and also to announce the new setting to the audience. The opening speech of Capulet follows, further enhancing the setting, and also injecting a touch of humour into proceedings, which puts the audience at ease, and therefore makes the drama that ensues that much more effective. The first event of note is the initial glimpse Romeo gets of Juliet. What ladys that? he asks a servant, but the servant doesnt know (although the audience does), and the dramatic irony begins to increase. .ueba9083465c309deabbee2a458adc69a , .ueba9083465c309deabbee2a458adc69a .postImageUrl , .ueba9083465c309deabbee2a458adc69a .centered-text-area { min-height: 80px; position: relative; } .ueba9083465c309deabbee2a458adc69a , .ueba9083465c309deabbee2a458adc69a:hover , .ueba9083465c309deabbee2a458adc69a:visited , .ueba9083465c309deabbee2a458adc69a:active { border:0!important; } .ueba9083465c309deabbee2a458adc69a .clearfix:after { content: ""; display: table; clear: both; } .ueba9083465c309deabbee2a458adc69a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ueba9083465c309deabbee2a458adc69a:active , .ueba9083465c309deabbee2a458adc69a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ueba9083465c309deabbee2a458adc69a .centered-text-area { width: 100%; position: relative ; } .ueba9083465c309deabbee2a458adc69a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ueba9083465c309deabbee2a458adc69a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ueba9083465c309deabbee2a458adc69a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ueba9083465c309deabbee2a458adc69a:hover .ctaButton { background-color: #34495E!important; } .ueba9083465c309deabbee2a458adc69a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ueba9083465c309deabbee2a458adc69a .ueba9083465c309deabbee2a458adc69a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ueba9083465c309deabbee2a458adc69a:after { content: ""; display: block; clear: both; } READ: Do not go Gentle into that good nigh EssayAs a result of Romeos blissful ignorance to Juliets lineage, he goes on to make a lengthy speech that makes judicious use of metaphors in describing her many virtues. He creates a variety of natural images, a snowy dove trooping with crows being a prime example. Here, in portraying Juliet as snowy, Romeo compliments her fair complexion (and also perhaps comments on her innocence), while dove trooping with crows is a comparison between Juliet, the exquisite dove, and the other women at the ball, whom she has relegated by her beauty to the status of crows, a distinctly drab form of bird. Throughout his monologue, Romeo depicts himself as unworthy of Juliet, and hence elevates her to an almost angelic level, an idea supported by the many religious references made by Romeo in his conversation with Juliet later in the scene. Although it could be suggested that this is the typical exaggeration of a lover, it is more likely that Shakespeare meant for Romeos soliloquy to lend extra poignancy to the plight of the lovers, whom the audience knew were doomed. Before that, however, comes the darker of our two themes: hatred in the form of Tybalt. The uplifting mood of the scene is shattered immediately as the sweet tone of Romeo is replaced by Tybalts rasping dialogue. He is outraged that Romeo would dare to show his face at one of the Capulets greatest occasions, and instantly calls fetch me my rapier, boy, an act that is an omen of future bloodshed, and also establishes the violent undertone that accompanies Romeo and Juliets relationship from here until its tragic conclusion. Shakespeare places Tybalts outburst immediately after Romeos speech, and the change in mood is shocking in its speed, throwing the audience off-balance. However, Romeo is oblivious to all of this, and again dramatic irony comes into play. On the other hand, Capulet, when informed of Romeos presence, does not succumb to the same rage that grips Tybalt, even though his enmity towards the Montagues may be greater. This gives an interesting insight into his character, as in his response to Tybalt he says I would not here in my house do him disparagement, an honourable sentiment. This chivalric attitude might perhaps embody that of all the elders of both houses, in a contrast with the fierce passionate hate displayed by the younger players in the battle. The grudge may have been borne so long by Capulet that it has become enshrined, in a way someone might treat an old wound: it still hurts, but is now worn with a certain amount of pride. The respite from Tybalt given by Capulets good humour is temporary, and as we are soon reminded that he will neither forgive nor forget, the audience is left with a feeling of foreboding as the mood of the scene shifts yet again, and love returns to centre stage. It is halfway through this scene when Romeo and Juliet finally converse with each other, and it is fitting that this long awaited exchange takes the form of a Petrarchan sonnet, a traditionally romantic form of English. It is here the tempo of the scene slows, reflecting the delicacy and tenderness of the emotions exhibited by the couple, along with their twin narcissism. Romeo uses religious imagery for the second time in this scene when referring to Juliet, perhaps in an attempt to compare her with the most important thing in his world. He calls himself a pilgrim, and talks of her as a shrine, one that he has presented himself at for absolution, and in doing so elevates her to the same plane occupied by angels and saints, the most pure beings in his knowledge. .u2b71a9f92409a566d94da7e4b0ea5428 , .u2b71a9f92409a566d94da7e4b0ea5428 .postImageUrl , .u2b71a9f92409a566d94da7e4b0ea5428 .centered-text-area { min-height: 80px; position: relative; } .u2b71a9f92409a566d94da7e4b0ea5428 , .u2b71a9f92409a566d94da7e4b0ea5428:hover , .u2b71a9f92409a566d94da7e4b0ea5428:visited , .u2b71a9f92409a566d94da7e4b0ea5428:active { border:0!important; } .u2b71a9f92409a566d94da7e4b0ea5428 .clearfix:after { content: ""; display: table; clear: both; } .u2b71a9f92409a566d94da7e4b0ea5428 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2b71a9f92409a566d94da7e4b0ea5428:active , .u2b71a9f92409a566d94da7e4b0ea5428:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2b71a9f92409a566d94da7e4b0ea5428 .centered-text-area { width: 100%; position: relative ; } .u2b71a9f92409a566d94da7e4b0ea5428 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2b71a9f92409a566d94da7e4b0ea5428 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2b71a9f92409a566d94da7e4b0ea5428 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2b71a9f92409a566d94da7e4b0ea5428:hover .ctaButton { background-color: #34495E!important; } .u2b71a9f92409a566d94da7e4b0ea5428 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2b71a9f92409a566d94da7e4b0ea5428 .u2b71a9f92409a566d94da7e4b0ea5428-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2b71a9f92409a566d94da7e4b0ea5428:after { content: ""; display: block; clear: both; } READ: My Grandparents and Unconditional Love EssayJuliet develops this religious theme in her responses, which take up half the sonnet for the first four lines, showing that she is Romeos equal in both intellect and social standing. This was quite uncommon in the Elizabethan era, as traditionally male sonnets silenced the female, reflecting the patriarchal nature of the times. That Juliet had such a significant share of the dialogue marked her as a powerful woman, and her fate was in keeping with the tradition of powerful women either dying or getting married at the end of a drama. The sonnet finally culminates in a visually powerful coup de grace: the famous first kiss. Romeo and Juliet immediately launch into another sonnet, but are ominously interrupted by the Nurse, a reminder to the audience that the romance will end in tragedy. The couple are forcibly broken from their trance, and the one perfect moment of the romance is broken, as Romeo and Juliet are parted, and their respective lineages discovered. Never again is the romance so perfect; the theme of untainted love has reached its apex. In conclusion, Shakespeare presents true love, as between Romeo and Juliet, as an overwhelming, bewildering and thoroughly compulsive experience, as opposed to the confined and orthodox role-play acted out by Romeo and Rosaline. Hatred is portrayed as Loves eternal nemesis: it is always hate in some form that disrupts the romance in this scene, violence that follows the lovers wherever they go, and hate that triggers the chain of events that concludes with double suicide.